Video for la strada mobile/search?sca_esv=25cd74cf61df00be La Strada Trailer
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Posted: May 2, 2017
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Video for la strada mobile/search?sca_esv=25cd74cf61df00be La Strada Trailer
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Posted: Oct 27, 2020
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Video for la strada mobile/search?sca_esv=25cd74cf61df00be La Strada Trailer
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Posted: Oct 28, 2020
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Video for la strada mobile/search?sca_esv=25cd74cf61df00be La Strada Trailer
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Posted: Mar 17, 2015
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Gelsomina is sold by her mother into the employ of Zampanò (Anthony Quinn), a brutal strongman in a traveling circus. When Zampanò encounters an old rival in ...
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Video for la strada mobile/search?sca_esv=25cd74cf61df00be La Strada Trailer
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Posted: Oct 31, 2023
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Video for la strada mobile/search?sca_esv=25cd74cf61df00be La Strada Trailer
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Posted: May 9, 2017
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Video for la strada mobile/search?sca_esv=25cd74cf61df00be La Strada Trailer
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Posted: Aug 28, 2019
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People also ask
How does La Strada end?
In La Strada the road ends at the water, the place where the road began. Gelsomina is no longer with Zampanò. He has lost her like he lost Rosa. No other human beside him, he is alone with the sound of the waves licking at the shore.
What is the movie La Strada about?
When Gelsomina (Giulietta Masina), a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò (Anthony Quinn) to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto (Richard Basehart), the carefree circus fool, and contemplates leaving Zampanò.
What happens to gelsomina?
In the end, when he hears the lady singing Gelsomina's song, he has hope that Gelsomina might still be alive. Maybe he could apologize, but Gelsomina is dead. He breaks down at the beach, where he first met her, and feels all the remorse and regret he has been carrying.
Is La Strada neorealism?
As film scholar Mark Shiel has pointed out, when it won the first Academy Award for Best Foreign Language Film in 1957, La Strada became the first film to win international success as an example of a new brand of neorealism, "bittersweet and self-conscious".
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